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Henri Jérôme Bertini (28 October 1798 – 30 September 1876) was a French classical composer and pianist. He was born into a family of musicians and attracted the attention of François-Joseph Fétis when he toured Europe as a child prodigy. As an adult he was admired both as a soloist and as a chamber musician; it was said that he played with Johann Nepomuk Hummel's simplicity and elegance without sacrificing the brilliance of the instrument. As a composer he had an original style which was rich in musical ideas, attractive melodies, and effortless harmonies. In 1848 he retired from the musical scene and settled in the Dauphiné in south-east France. == Life == Henri Jérôme Bertini was born in London on 28 October 1798〔Details of Bertini's life may be found in Fétis (1868) and Marmontel (1878); the most complete and reliable source of information on Bertini is Beyls (1999). 〕 but his family returned to Paris six months later. He received his early musical education from his father and his brother, a pupil of Muzio Clementi. He was considered a child prodigy and at the age of 12 his father took him on a tour of England, Holland, Flanders, and Germany where he was enthusiastically received. After studies in composition in England and Scotland he was appointed professor of music in Brussels but returned to Paris in 1821. It is known that Bertini gave a concert with Franz Liszt in the Salons Pape on 20 April 1828. The program included a transcription by Bertini of Beethoven's Symphony No. 7 in A major for eight hands (the other pianists were Sowinsky and Schunke.) He was also admired as a chamber music performer, giving concerts with his friends Antoine Fontaine (violin) and Auguste Franchomme (cello). He remained active in and around Paris until around 1848 when he retired from the musical scene. In 1859 he moved to Meylan (near Grenoble) where he died on 30 September 1876. Bertini concertized widely but was not as celebrated a virtuoso as either Friedrich Kalkbrenner or Henri Herz. One of his contemporaries described his playing as having Clementi's evenness and clarity in rapid passages as well as the quality of sound, the manner of phrasing, and the ability to make the instrument sing characteristic of the school of Hummel and Moschelès.〔Marmontel (1878), p. 16.〕 Thomas Tapper wrote:
Bertini was celebrated as a teacher. Antoine Marmontel, who devoted the second chapter of his work on celebrated pianists to Bertini, wrote
Robert Schumann, in a review of one of Bertini's piano trios in the ''Gesammelte Schriften'', comments that Bertini writes easily flowing harmony but that the movements are too long. He continues: "With the best will in the world, we find it difficult to be angry with Bertini, yet he drives us to distraction with his perfumed Parisian phrases; all his music is as smooth as silk and satin."〔Cobbett, p. 124.〕 German sentimentality has never appreciated French elegance. Bertini is best remembered today for his piano method ''Le Rudiment du pianiste'', and his 20 books of approximately 500 studies. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Henri Bertini」の詳細全文を読む スポンサード リンク
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